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Making observation films requires the project to be as natural and as untouched as possible. Since this is Soda's specialty, he's able to focus all of his energy into cultivating the best method to have the most realistic and untouched portrayal of what he films. Having a set of rules or commandments to follow allows Soda to be able to challenge themselves with every project that they do. It's up to him to work with the rules instead of against it by guiding him to push past his artistry and create projects that art distinguishable from each other despite following the same set of rules. In his film, Campaign, you could tell that the method that he's developed really works well when filming people in their daily lives. It was as if he was a fly on the wall, not being in the way of the subjects that he was filming, everything was very organic. Observational and experimental films are probably likely to emerge when following rule's like Soda's because they allow m...
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Blog 3

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The scene opens up with a portrait shot of a character before transitioning into a silhouette of the character with a gradient of fire in the background. The next shot is a matched action wide shot of that same person's position relative to the size of the small space just as a wave fire comes barreling behind him. Just as the wave of fire hits the character with full force, we get a rapid eyeline cut of the characters eyes at the exact moment that the he realizes what's coming towards him before quickly transition into a low angle shot of the character reacting to what's coming his way, having little movement before being completely overwhelmed by the fire. Although there are no point of view shots within this particular screen, throughout the scene you can see that the cuts are made in accordance with continuity protocols, having each cut being a reaction of the last. The timing of each shot within the sequence displays the conflict the character is facing as well as a ...
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